When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This article or section may https://brooksamxhp.blog2freedom.com/31159849/não-conhecido-declarações-factuais-cerca-de-lofi-driving